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ONE:"You know that I love you?" he said unevenly.In a moment there were only the four Englishmen in the corral.

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THREE:As they came out from dinner the orderlies had the horses at the door. Landor gave his wife parting instructions the while Brewster took an ostentatiously affectionate farewell of Miss McLane, who was herself neither so affectionate nor so sorrowful as she might have been expected to be. The adjutant watched them, furtively and unhappily. Felipa herself was not as unmoved as usual.
One morning, when Gregor Samsa woke from troubled dreams
THREE:
One morning, when Gregor Samsa woke from troubled dreams

THREE:
One morning, when Gregor Samsa woke from troubled dreams
THREE:Landor humored her, but did not quite approve. "If you begin that, every papoose at the Agency will be brought down to us," he suggested; and once when he had grown a little tired of having the noiseless, naked little savage forever round, he offered him a piece of canned lobster. Whereupon the boy fled wildly, and would not be coaxed back for many days. Felipa seemed really to miss him, so Landor never teased him after that, making only the reasonable request that the youngster be not allowed to scratch his head near him.
One morning, when Gregor Samsa woke from troubled dreams

THREE:It was unfortunate for Landor, as most things seemed to be just then, that the Department Commander happened to have an old score to settle. It resulted in the charges preferred by Brewster being given precedence over the request for a court of inquiry. The Department Commander was a man of military knowledge, and he foresaw that the stigma of having been court-martialled for cowardice would cling to Landor through all his future career, whatever the findings of the court might be. An officer is in the position of the wife of C?sar, and it is better for him, much better, that the charge of "unsoldierly and unofficer-like conduct, in violation of the sixty-first article of war," should never come up against him, however unfounded it may be.
One morning, when Gregor Samsa woke from troubled dreams
THREE:On such utterly unsubstantial ground did the English ministers continue this negotiation. They assured De Torcy that the Queen of England insisted on Philip's renunciation of one throne or the other, and he at length renounced that of France, everybody seeing that the sense in which he renounced it was no renunciation at all, but a pretence to get the peace effected; and thus the[4] English ministers, with their eyes open to the fraud, went on urging the Allies to come into these most delusive and unsatisfactory terms. But as the renunciation of Philip did not arrive till after midsummer, the negotiators at Utrecht continued to talk without advancing, and the armies in the field continued to look at each other without fighting.
One morning, when Gregor Samsa woke from troubled dreams

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ONE:There was human plunder, too��women from the villages, all Mexicans but one, and that one was American. Cairness, having gone off with some scouts to reconnoitre, did not see them that night. When he came back it was already dark, and he took his supper; and rolling himself in his blanket slept, as he had always for the past fortnight, with only the faintly radiant night sky above him.

THREE:He had told her that many times. It had been true; perhaps it was true still.
He lay on his armour-like back, and if he lifted his head a little he could see his brown belly, slightly domed and divided by arches into stiff sections

THREE:��You can��t trap us!�� challenged Sandy.
He lay on his armour-like back, and if he lifted his head a little he could see his brown belly, slightly domed and divided by arches into stiff sections

THREE:The man claiming to be Mr. Everdail made a skillful getaway from the beach, and it took them very little time to get over the marsh, already free of fog.159
He lay on his armour-like back, and if he lifted his head a little he could see his brown belly, slightly domed and divided by arches into stiff sections

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He lay on his armour-like back, and if he lifted his head a little he could see his brown belly, slightly domed and divided by arches into stiff sections

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ONE:The style of St. Paul's, and, indeed, of all Wren's churches, is neither Grecian nor Gothic, but Italian, influenced by the fashion which Bernini, the Italian architect of Louis XIV., had introduced into France. It is a class of architecture of which the Grecian is the basis, but which is so freely innovated upon as to leave little general resemblance. In its different parts we have columns and pilasters of every Grecian and, indeed, Roman order, pediments, peristyles, architraves, and friezes, mingled up with windows of all sorts, and all kinds of recesses and projections, the fa?ades and intercolumniations ornamented with festoons, and wreaths, and human masks, and the whole surmounted by a great Eastern dome, and by campaniles partaking of[159] all the compilations of the main buildings. St. Paul's itself is a noble building, notwithstanding the manifest gleanings from the antique and the medi?val, and their combination into a whole which has nothing original but their combination into one superb design. Besides St. Paul's, the rest of Wren's churches are disappointing, and we cannot avoid lamenting that he had lost the sense of the beauty of Gothic architecture, especially when we call to mind the exquisite churches of that style which adorn so many of the Continental cities. Whilst the exteriors of Wren's churches show heavily in their huddled-up situations in London streets, their interiors, in which much more of the Grecian and Roman styles is introduced, are equally heavy, and wanting in that pliant grace which distinguishes the interiors of Gothic cathedrals. Perhaps the noblest work of Wren next to St. Paul's is Greenwich Hospital, which is more purely Grecian, and therefore displays a more graceful and majestic aspect. The Palace of Hampton Court, attached to the fine old Tudor pile of Cardinal Wolsey, is a great square mass, in which the Dutch taste of William is said to have set aside Wren's original design. But surely William did not compel him to erect that (in such circumstances) ponderous barbarism of a Grecian colonnade in the second quadrangle of Hampton Court, attaching it to a Gothic building. In fact, neither Wren nor Inigo Jones appears to have had the slightest sense of the incongruity of such conjunctions. Jones actually erected a Grecian screen to the beautiful Gothic choir of Winchester Cathedral, and placed a Grecian bishop's throne in it, amid the glorious canopy-work of that choir. The return to a better taste swept these monstrosities away.